"the audience is presented with a stark image: mounted on exposed brickwork, a brightly lit sign reads MOGADON in art deco lettering; seated beneath it, on a lushly upholstered regency sofa, are four women dressed in black and white[...]We are on the set of The Circle or in a Toorak hair salon. The scene is eerily familiar"

 

HANA Theatre Journal - Christopher Fieldos